When Carl awakens from a coma after being attacked on a subway train, life around him feels unfamiliar, even strange. He arrives at his best friends house without remembering how he got there; he seems to be having an affair with his secretary, which is pleasant but surprising. He starts to notice distortions in his experience, strange leaps in his perception of time. Is he truly reacting with the outside world, he wonders, or might he be terribly mistaken? So begins a dark psychological drama that raises questions about the boundaries of consciousness. As Carl grapples with his predicament, The Coma plays with conventions, and questions our assumptions about the way we exist in the world, even as it draws us into the unsettling and suspenseful story of a lost suitcase and a forgotten identity.