Shortlisted for Katharine Briggs Folklore Award 2005. Drawing on a broad range of oral performances and literary records from Iceland, Ireland, Scotland, North America, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman presents a series of ethnographic case studies that offer an innovative and illuminating look at intertextuality as communicative practice. Bauman uses his introduction to lay a framework for the analysis of genre, performance, and intertextuality as discursive accomplishments. He goes on to examine the ways that performers blend genres and then explores how they manage intertextual links or gaps by aligning texts in discursive practice. Finally, Bauman draws together these threads and turns his insights to a critical consideration of ethnographic practice itself, bringing into reflexive awareness the ways that ethnography positions us in a world of others words. Drawing on his work in Iceland, Ireland, Scotland, North America, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman presents a series of ethnographic case studies that offer a sparkling look at intertextuality as communicative practice. A fascinating perspective on intertextuality: the idea that written and spoken texts speak to one another, e.g. through genre or allusions. Presents a series of ethnographic case studies to illustrate the topic. Draws on a broad range of oral performances and literary records from across the world. The authors introduction sets a framework for the analysis of genre, perform and intertextuality. Shows how performers blend genres, e.g., telling stories about riddles or legends about magical verses, or constructing sales pitches.