Closes relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Closes enthusiasm for printmaking and for process, and the detailed illustrations are fascinating.--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper Chuck Close--a man who describes himself as an artist looking for trouble--has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Closes revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Closes career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process. The text highlights the intensely collaborative nature of Closes project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next. Prints have moved me in my unique work more than anything else has, Close says. Prints change the way I think about things. From the artists ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of Americas most important living artists. EXHIBITION SCHEDULE Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23,2003 The Metropolitan Museum of Art, New York January 13-April